Foxy Lady, Uncut (1977)

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Description: Ginger & Cliff live in the enviable world of expensive homes, erotic sports cars & non-stop sex. Their bubble soon bursts when Ginger is kidnapped & held for ransom. Amidst all this, a stunning blonde appears at Cliff & Ginger's house. It's Shirley, Ginger's sister, who offers her help in any way possible. Meanwhile, the two abductors have taken Ginger to their island hideaway where Karen, an exotic Oriental beauty, meets them. The three of them proceed to take full advantage of their captive. Amazingly, Ginger manages to escape only to be intercepted by Amos, who promises to get her off the island if she gets him off first! The shocker comes when Shirley pulls a gun on Cliff & tells him she engineered the whole thing! Ah, but there are more shocking surprises in store for you when see the startling climax of Foxy Lady!
Scene Breakdowns
Scene 1. Kristine Heller, girl, John Leslie
Scene 2. Valerie Driskell, John Leslie
Scene 3. Valerie Driskell, Lee Foster, Seth Wagner
Scene 4. Kim Yoko, Valerie Driskell, Lee Foster
Scene 5. Valerie Driskell, Seth Wagner
Scene 6. Valerie Driskell, Pharoah Amos
Scene 7. Sandy Pinney, John Leslie
Review:
Jack Genero was a vintage porn director who liked to create the semblance of a real movie, as witness such early efforts as CLIMAX (a goodie) and SAN FRANCISCO BALL (a clunker).
He returns to the kidnapping theme of SAN FRANCISCO BALL with FOXY LADY, an early starring vehicle for John Leslie. This is an unusual assignment in that Leslie is not among all-stars but rather unknowns.
Pic opens with a well-shot hang gliding sequence, introducing Leslie as a gambler whose buxom wife Ginger (one-shot Valerie Driskell) complains about his finances.
She is kidnapped, with a ransom note sent to Leslie asking for $10,000, which he doesn't have. His sister-in-law shows up (played by attractive Sandy Pinney) and devises a plan: they will rob a bank together to raise the money needed to save Ginger.
Much of the action takes place on a nearby island where Ginger has been brought, and she's abused not only by the kidnappers (including one-shot Asian beauty Kim Yoko) but also by a selfish black dude (familiar '70s porn actor Pharoah Amos), who falsely promises her: "get me off and I'll get you off" {the island}.
As in his earlier work, Genero stages a major showdown finale, which is clumsy and unconvincing.
So the bare bones of an interesting roughie are squandered on a succession of typical XXX scenes, helped a bit by Pinney's beauty and reliable acting by Leslie. Driscoll is mainly in the spotlight, but evidently headed for the hills after this enthusiastic stab at porn stardom.
Though the location footage, credited to d.p. Jack Bristol, is well-lensed, film has a particularly cheap interior set for a lengthy threesome scene where a pretty girl (Kristine Heller, best-known actress in the picture) takes Leslie upstairs after picking him up in a bar, leading to anal sex.

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