Private Schoolgirls, Full (1983)

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Description: AKA: Privatschule zur Sexerziehung frühreifer Töchter [German], Private School Girls
Sexy cotton panties and barely legal teens. Plaid skirts and bobby socks madness. Naughty young debutantes getting nasty. First time footage of girls exploring their own tight young bodies. Crazy private school lesbian bad girls caught on camera. Detention camera girls in erotic rebellion. See these horny girls torturing their professors and loving it. Good girls gone bad in cock-hungry fantasies. Teasing, flashing and peeking under innocent skirts.
Scene Breakdowns
Scene 1. Shauna Grant, Dan Stephens
Scene 2. Tara Aire, Michael Knight
Scene 3. Athena Star, Ashley Moore
Scene 4. Hillary Summers, Ashley Moore
Scene 5. Sharon Kane, Michael Bruce
Scene 6. Tish Ambrose, Ron Hunter
Scene 7. Shauna Grant, Dick Howard
Review:
Shot back to back with Roberta Findlay's glossy yet routine GLITTER, there seems to be some confusion as to the authorship of this enjoyably silly erotic romp. Though one or two sources have credited the film to "Robert Walters" (a Findlay pseudonym, and I'm guessing she was the probable perpetrator), the on-screen credits for the mysterious yet fairly prolific "J. Angel Martine", presumably another of Roberta's noms de porn, first hailed by genre press during the mid-'70s as being a renowned French adult filmmaker! For once, the IMDb even adds to the mix-up as I don't know where they got the John Christopher credit from, though the material was certainly up this particular director's alley. Findlay definitely worked on this movie in the capacity of cinematographer, though, delivering her usual professional job on what must have been a meager budget.

Tragic Shauna Grant heads the cast, playing a bad girl for once, expelled from one school for making out with sharp-featured Dan Stephens (who had the scene with Rachel Ashley in Chuck Vincent's couples classic IN LOVE) in the men's room and, therefore, enrolled in Ms. Marmelstein's strict all girls' academy. The leading lady in her early twenties, she's still the most youthful looking of the bunch of starlets assembled on this occasion, so you'll have to suspend disbelief to buy into this particular fantasy. Even harder to swallow might be the part of hot 'n' happening rock star Johnny Waylay being played by the insipid Dick Howard, who as "Jeremy Stone" would go on to become Adam Film World's editor-in-chief for several years and has been married to such genre goddesses as Kim Carson and Christy Canyon, so I guess I must be missing something. The "girls" trying to raise money to go to the rock concert make for the plot here, and somehow, sex always manages to figure into those plans.

Tara Aire seduces drama teacher Michael Knight on stage, unwittingly filmed by Sharon Kane who then tries to sell the stuff to porn-producing mob boss Michael Bruce (her then boyfriend who died of testicular cancer in 1985) in the film's funniest scene. Laws are broken even more blatantly by Tish Ambrose's bungled attempt at theft and platinum blonde Athena Starr (who did the bisexual scene in Mark Reynolds' otherwise totally gay BEST FRIENDS) selling her favors to retarded janitor Ashley Moore in a surprise sexual standout scene. Veronica Hart has a funny non-sex supporting bit as a very pregnant gym coach. Befitting a star, Shauna gets the bookend scenes (i.e. first and last) though neither are among her or the movie's best. And what's with the locations? A toilet for starters and the school's utilitarian kitchen for closers? Did Findlay not like her that much post-GLITTER (where her performance was indeed particularly wooden) and had she decided to punish her somehow?

A final trivia note to support Roberta's culpability and just to show off really: as Sharon Kane shows the filmed footage to the Maffia Don, it proves padded out with part of the climactic deflowering of Hillary Summers by uncle Ashley Moore from the same director's JUSTINE: A MATTER OF INNOCENCE.
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Comments

Tommo63
0
By Tommo63 - 10 months ago
They seem to film all the sex scenes in as little light as possible
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