Best retro porn by years

Description and review: Take a trip down memory lane and explore the lost tribal traditions of good old fashioned sex, sex, sex. Discover the lost films of Grandpa as we continue our journey into yesteryear. No tit jobs or tummy tucks here. Just good ole fashioned fuckin!

Description and review: It began with the birth of cinema itself, but by the 1940s amateur erotic productions of beautiful naked models and strippers performing their dances abounded. Blue or stag movies were produced secretly in homes, the film washed in bathtubs, then circulated discreetly, because it was a felony to be caught viewing or posessing them. Several of the shorts in the collection begin with the protective disclaimer “This film is released for art classes and art students and is not intended for public exhibition.” Aslo featured in this collection is rare footage of bulesque queen, actress Sally Rand performing her famous “Bubble Dance.”
– Parisian Nights With Ilona
– Screen Test of Joan Arnold
– Sheree In Her Original Harem Dance Sheree North
– Inga Zarby
– Annette – Naughty, Naughty
– Bonnie Jean Hendre
– Cherry Knight
– Yvonne Marthay
– Marie Voe
– Lana
– Lois in Lingerie Delilah Jones
– Silk Stocking Poses
– Nude Photo Fun
– The Sea Nymph
– How To Hold A Husband
– Backstage in Burlesque
– Honymoon Help Meet
– Sally Rand’s Bubble Dance Sally Rand
– Black Lingerie
– Sarong Dance

Description and review: Very rare footage of Roberta Pedon, Margaret Middleton, Paula Page, Virginia Bell, Joan Brakeman, Cupcake Cassidy, Nancy Brown, June Palmer and Penny. Completely digitized from the original footage, these vintage models were all blessed with ample, supple all natural breasts which they showcase here for you in traditional cheesecake fashion. Your collection cannot got without this three hour specialty volume!

Description and review: This humorous and informative documentary traces the history of cinematic pornography back to the 1915 stag film "The Free Ride." Sexual attitudes of society have been carefully researched and explained as films from World War up to and including the year 1970 are examined. Stripper Candy Barr is shown in the classic "Smart Alec", and the mild peep shows of the 1940s and 1950s are examined. All events lead up to the late 1960s where censorship laws were successfully challenged in the courts. The last half hour is a shameless promotion of director Alex de Renzy's current blue movies and adds nothing to the historical perspective of the feature. The color process is not credited, but a few porn films before the 1960s were filmed in color.
Review:
This is clearly the best compilation of early "stag" footage, the only other one worthy of serious consideration being Bill Osco's Hollywood BLUE. It contains all those fabled favorites that once only saw the insides of brothels and affiliated "gentlemen's clubs" you may just have heard or read about.

The earliest American stag movie (or "smoker", as opposed to "loop", a term which did not enter common usage until the blue movie arcades and peep shows of the '60s) known to survive, A FREE RIDE a.k.a A GRASS SANDWICH (ca. 1915), still contains seriously steamy threesome action between two commendably eager females and one ready, willing and very able male.

The subsequent ON THE BEACH (a/k/a THE GOAT !) adds a remarkably thorough comedic plot to the pornographic proceedings. Excerpts from an explicit cartoon named BURIED TREASURE (possibly the work of the Fleischer brothers...) show a little guy getting into all sorts of increasingly surreal mischief courtesy of his unfeasibly large member.

You can file KEYHOLE PORTRAITS and snippets of '50s stripper reels under F for Filler. Far more interesting is the much discussed Candy Barr movie, SMART ALECK, which sees the stripper who gained notoriety as the girlfriend of shady nightclub owner Jack Ruby (i.e. the man who shot Lee Harvey Oswald who allegedly shot...well, you know that!), violently refusing to go down on her mate who's chomping at the bit. So a less appealing lady is drafted in to perform just that task with such vigor as to practically mesmerize - and indeed overshadow somewhat - this loop's central starlet.

The movie's true highlight is the legendary NUN'S STORY about a stunning Sister who sheds her habit to make genuinely passionate love with her Elvis-pompadoured boyfriend before re-donning the cloth at scene's end.

Now is as good a time as any to shed a little light - if any were needed - on the man responsible for this collection, the late great Alex DeRenzy. Prior to his emergence as one of the greatest erotic filmmakers of all time with classics like FEMMES DE SADE, BABY FACE and PRETTY PEACHES, his main claim to industry fame was as the proprietor of the Screening Room, one of San Francisco's pioneering (pre-Pussycat) porno palaces.

The latter part of HISTORY kind of belies its title by providing what was perceived at the time as mere publicity for its director's business and place thereof. Of course, nearly 4 decades later, it's easy to state that time has been kind to this particular section.

A massage parlor sequence, pre-figuring DeRenzy's early classic FANTASY GIRLS, has cute acting, copious nudity but no visible penetration as an inexperienced masseuse tries to fend off the amorous advances of her horny client. Beautiful Bonnie Holiday, a too frequently overlooked actress who was instrumental in bringing her goddess girlfriend Annette Haven into the industry, languidly responds to an unseen interviewer as she teasingly strips and pleasures herself in a wonderfully erotic segment.

The last scene has a young couple responding to a modeling ad and turning up at, you guessed it, the Screening Room for an artistically shot audition that already showcases embryonic versions of the type of visual effects DeRenzy was to refine in his later work.

All in all, an important excursion into porno's past and an eloquent charting of the genre's evolution (or lack thereof...) in terms of style and content. Serious students of sex cinema will probably benefit most from this hardcore history lesson though even the occasional porn hound who couldn't care less should find portions of it to his liking.

Description and review: AKA: Sexual Freedom in the Ozarks, Sensual Freedom in the Ozarks, Freedom in the Ozarks, Free Sex in the Ozarks
Scene Breakdowns
Scene 1. Andrea True, Eric Edwards
Scene 2. Janet Jones, guy
Scene 3. Mary Stuart, Davey Jones
Scene 4. Andrea True, Russ Carlson
Scene 5. Mary Stuart, Eric Edwards
Scene 6. Janet Jones, Davey Jones
Scene 7. Andrea True, Mary Stuart
Scene 8. Andrea True, Mary Stuart, guy
Review:
I saw 8 of Shaun Costello's films theatrically (purely at random) back in the '70s-'80s, but thanks to a video, I've now seen over 50. OZARKS is quite minor but carries his stamp of clever plots/solid improvisation/slapdash production.

Shaun knits it all together by appearing on screen himself, giving newscasts that provide story exposition. A foursome is stranded after a plane crash (the durable movie gimmick of FIVE CAME BACK), and they split into two groups to seek help. (It's as far from the classy Reese Witherspoon production WILD as you can imagine.)

Dr. Maergaret Weed is portrayed by future disco star Andrea True, and though they're stranded and hiking for their lives, there's a handy blanket for True and a young, blond-haired Eric Edwards to hump on, seemingly to keep their spirits up (Reese had to rely on flashbacks for her sexual activity). The other pair hump on their own blanket, unidentified performers including a Black girl named Helen for mixed-combo action.

Banjo music plays as a third couple, farm folk Davey Jones & Mary Stuart have sex on yet a third blanket (too bad Shaun's work predates Product Placement as he could have hooked up with a manufacturer).

A reunited foursome finds the farmhouse with plenty of life-giving water belonging to Jones, and Costello pops up in a dual role-playing the farmhand. The auteur gets to hump True on a 4th blanket, and the farm's location is identified as Sleazy Oaks, Arkansas.

Eric befriends Stuart and tries selling her smog insurance (his job). She's not interested but humps him on another blanket. The Black girl Helen who is Weed's secretary, gets physical with Jones.

Costello is back on the air broadcasting that searchers have not found any trace of the plane (no surprise since this plane-crash movie is far too cheap to show us a plane at all)

The film ends with True and Stuart having a lesbian scene that segues to troilism.

What does it all mean? Basically, this is an exercise of form following function - events like the small-talk dialog are improvised and sexual content is born out of necessity - mixing and matching the available cast (minus any gay sex option, as the fans presumably wouldn't stand for that) in explicit sex mode until about an hour of usable footage has been printed. Edit, release, and repeat, with some slightly different concocted premise for the next masterwork.

It served the maestro well 40 years ago, and unfortunately, porn hasn't advanced much beyond this point, in fact regressing so that most new product more closely resembles the loops Edwards, True and Costello starred in at the beginning of their careers.

I do like Shaun's catchy title which proves great minds think alike. Even before he made this forgettable opus, I concocted a tile that was never used but has a similar ring: LESBO ACTIVITY IN THE ADIRONDACKS. Now that i've gone public with it, I hope someone uses it for a real video - I'll be the first (and last perhaps) kid on my block to buy a copy.

Description and review: This Scene begins with a blowjob for a man with a mask. After she has undressed, he fingers her and begins to play with his cock. After a while, he begins to fuck her from the back and to her ass.

Description and review: AKA: Softcore Nudes 115: Burlesque & Nudes '40s & '50s

Description and review: We begin with some anonymous early '50s schtuping...
But really get into the swing with color footage of a voluptuous sepia siren searching for her inner self, until two long-haired white boys join the hunt!
Soon, a three-way sexfest - two gals, one guy - is "explained" by funny, funky subtitles...And, after a while, a Madonna-ish dish with golden hair and nicely rounded charms poses in dark hose!
Before long, a pixie-haired, bosomy, beauty-marked brunette, in earrings and nothing else, makes the black & white footage sing!
In color, early '60s footage, a cute, puffy-lipped brunette, shares staggering mammaries... And another cute, though less busty, brunette follows, spread on an orange spread!
Then, as a Bucky Bonus, we get several trailers for such '70's smutfests as Teenage Coeds and The Erotic Director.
Featuring the twin talents of RENE BOND and CAROL (Deep Throat) CONNORS.

Description and review: American Vintage 2 is a further look at explicit amateur films made decades ago. These antique films, once known as "Stag" or "Smokers" are what paved the way for the billion dollar porn industry we know today. In this collection, you will see rare footage of sex throughout the centuries.

Description and review: List of loops:
- Bohrloch Cabaret
- Siam Katzen
- Obsession X

Description and review: The Port Whores Of Napoli

Description and review: Black Boobs, Hot Lust

Description and review: AKA: Censorship in Denmark, Bucky Beaver's Stag Loops and Peeps Vol 072
Review:
Made by a porno film pioneer Alex de Renzy, this 1970 documentary initiated the now 40-years-young era of widely distributed pornography. It's well-written narration is informative, but overall the "preaching to the choir" approach is boring.

At the time, the inclusion of considerable "naughty bits", namely explicit sex still photos and live action previously relegated to stag movies & smokers, gave the fans a thrill. But unlike De Renzy's later work, this is not sexually stimulating but more in the nature of filler.

As in his later movie WEED, De Renzy uses documentary for advocacy purposes, not trying to be objective. His presence, microphone in hand, is pervasive here as he interviews, with tepid results, men and women on the streets of Copenhagen with the burning question: "What do you think of free pornography here?". It is not free in the pocketbook sense, but it free of censorship for people 16 & up. It's generally serious, with an occasional yock, but not the satirical bent of the current advocacy king Michael Moore.

Some useful historical info is imparted: in 1964 the Danish courts finally cleared Cleland's novel "Fanny Hill" for public consumption, leading to legislation in June 1969 freeing not just written porn, but photos & movies too. De Renzy visits Sex '69, a porn expo where over 50 vendors show their wares to try & drum up foreign exports of smut. The main markets are Germany, U.S. and England.

Prices are interesting: mail-order movies are strictly 8mm, and cost $50 for a 10-minute (200-feet) black & white stag film or $100 for color. Put in perspective, with typical inflation exceeding 20 times over 40 years, that would be over $2,000 for a 10-minute stag loop in today's currency, when of course retro-fans get to see typically two-hour compilations of vintage stag material on DVD for roughly $20 now. That's $20 vs. the equivalent of $20,000 - a measure of how starved for titillation the previous generation (living in a censorship regime) was. (Another example: I just watched another SWV oldie THE HIPPIE REVOLT, and in Haight-Ashbury of 1967 it cost 25 cents to have a bag of washing done for you at the local laundromat, what costs me $10 to $15 in Manhattan today, or a 50 times inflation.)

Dirty magazines (showing d.p.'s and lots of explicit sex) Private and Color Climax are displayed as Alex tours sex shops, sex clubs and the like. A very lengthy sequence shows a girl and a moonlighting sailor filming a loop: this is quite tedious and ultimately softcore since De Renzy's 16mm camera can't get the angles to show us the explicit action. Later live-sex show is similarly tame, as it consists of a topless dancer and some furtive lesbian groping. More explicit are loops shot off the screen in a private club, plus a nude interview with an attractive 18-year-old (Toni), who does explicit magazine and film work.

Recurring theme, which I've heard in countless of these early porn films, is that Denmark's experiment gives strong evidence that freeing up porn can be beneficial to society, citing tentative stats on the decrease in sex crimes locally, both since the 1964 literature decision and the more general 1969 opening of the floodgates.

More interesting in retrospect is De Renzy's wondering how long it will take before pornographers start creating quality film material. Noting that no serious Danish filmmakers have taken the challenge, he laments the low standards, as the public (including export markets) will watch anything. Of course, within five years some terrific porn films were being made, including De Renzy's own work, but alas, 40 years later I contend that Gresham's Law has taken hold, and in effect the bad has driven the good out of the marketplace, simply because very cheaply made gonzo porn is so popular, so why waste the time, effort and big bucks to aim at quality (or even shoot on film)?

Description and review: Thirty years ago the adult film contained in this package shocked and disgusted even the most jaded porno fans of the time. It's blatant sexuality proved to be so controversial, the producers were forced to change the title to College Coed. Although "Historic Erotica" recently released it to a modern audience with it's original title intact, we have been astounded to find out that even today the subject matter(hint: the lady dressed in black and white is committed to a marriage literally made in heaven) is considered "so shocking), we are unable to print the original title. However, the print itself is uncensored and when you purchase this classic, you will see intact the ultimate sin committed by a young woman and her lover. Is it sacreligious or simply too hot for society to handle? You be the judge!

Description and review: Jinx & Lynn are having a lovely afternoon with a few cocktails and then they begin to get intimate with one another. Watching them is Steve York, all 12 inches of him, who definately makes them take notice and he joins in and to her credit is able to all of it. Check out this classic short, well our movie is short

Description and review: An attractive young couple decide to spend the evening making love. They add a little spice to their games, by inviting another couple they know, for a little wife-swop-ping session. When their friends turn up the first pair are already in full swing. (The first couple just couldn’t wait to get stuck into the action!) It’s not long before a fantastically randy orgy is in gropress. One af the girls is exceptional in the fact that it’s her that leads the fucking. The men squirt their warm seed over the stomachs and into the mouths of their exciting partners. A first class film, so well photographed that you won’t miss out on a thing!

Description and review: This supreme love goddess with long red tresses, full shapely breasts and a cunt that won’t quit, soothes away the pain of a broken engagement by engaging in some of the most exotic fucking and sucking one is ever likely to see in a sex-manual’s-worth of positions. She is an antidote to inhibitions. No sane stud would ever want to “86” P.G. #86

Description and review: Haven’t you ever wondered what goes on behind the curtains in the magnificent mansions of the well-to-do? This film concentrates on answering the most interesting aspect of the question: Three lovely young jet-setters enjoy the attentions of their handsome friends which quickly progress from innocent caresses to intimate groping. One of the three girls is in particular demand as soon as the men realize that she has a meticulously cleanshaven cunt. As one thing leads to another, they are soon engulfed in an orgy of sucking and fucking, and in the craziest positions, too. This film is a sight for sore eyes, and not only because of the luscious girls …

Description and review: Two young girl friends who live together are paid a visit by their student friends. Apparently they have just come from some boring lecture, as they without delay hurl themselves at the juice – by which they not only mean liquor, but also the girls’ wet cunts. And within split seconds the lot of them are deeply involved in an uninhibited orgy. The blonde girl has enormous tits that tend to suggest a breast-fuck, as one after the other shoves his prick in between the batteries. After lots of licking and fucking the two girls get a little present: Loads of sperm.

Description and review: Kelly-Ann calls Steve and makes a date. Then she showers and puts on make-up and perfume. No, she's not planning a big night out. When Steve arrives she takes him to her darkened bedroom and shows him how liberated a lady can be.

Description and review: Two lovely girls, a blonde with a shaved pussy and her brunette friend are relaxing in the bathroom. The brunette is oiling the blonde’s body and tits. Then she pulls her knickers off and begins to suck the goldenhaired girl’s bald box. The compliment is just about to be repaid, when the girls discover there’s a man peeping through the window. The horny brunette sucks him off through the half open window and then invites him in for an orgy of exciting sucking and screwing, which culminates with a shaven pussy being smothered in spunk as it’s being passionately licked!

Description and review: Two delicious looking girls embark on a lesbian voyage with each other. As they caress each other’s lovely lissom bodies, tenderly tonguing and titillating all their most intimate and sensitive spots, they become aroused to a boiling point. Their succulent sappho smooching is not enough however, and both girls dream about what they’d really like – a nice fat cock! As if by magic, their dream dick appears. They joyfully fall on it filling their mouths and hungry cunts and finally milking it of its frothy come, when they double wank it to a creamy climax!

Description and review: Produced by Ribu Films. France release, German published. 1980

Description and review: Isabell, the insatiable and lascivious daughter of a consul, lets her two housemaids convince her of the art of masturbation.

Description and review: ALA: Mösen Power
Scene Breakdowns
Scene 1. Biggi Mondi, guy
Scene 2. Karin, Dietmar Z.
Scene 3. Claudia Eckner, Sandra Nova, James Lewis, Rick Shadow
Scene 4. Karin, Mara Bonner, James Lewis, Rick Shadow
Scene 5. Claudia Eckner, Sandra Nova, James Lewis, guy

Description and review: A deranged killer is loose in the City of Angels will two FBI agents and one cop be enough to stop him, or are they going to have to call in one of the beautiful angels of the city? A thrilling action-packed shot-on-film feature that climaxes in more ways than one!
Scene Breakdowns
Scene 1. Rebecca Wild, Buck Adams
Scene 2. Dyanna Lauren, Brad Armstrong
Scene 3. Chante, Tony Tedeschi
Scene 4. Nikki Sinn, Jonathan Morgan, Steven St. Croix
Scene 5. Alexis DeVell, Dan Steele
Scene 6. Brittany O'Connell, Chayse Manhattan, Buck Adams
Scene 7. Asia Carrera, Steve Drake
Review:
Fondly remembered in the porn industry, the late Buck Adams aspired to more than just routine sex movies, as evidenced by this decently-budgeted suspense feature, worthy of consideration as a real film, not mere porn filler.
He stars and also directed, from a fine screenplay by the usually facetious/who cares? Cash Markman -easily one of his better works. Voiceover-narration by heroine Rebecca Wild sets up the story, after a meticulously designed static opening shot, held for over 3 minutes, that subtly and stylishly creates the neo-noir mood.
Shot in Malibu, it presents a different take on the "thrill killer" theme, most recently portrayed successfully on screen in "Natural Born Killers" and "True Romance", both from scripts by Quentin Tarantino (whose work I despise). But this Adult film is better, period.
In his flashy Cadillac convertible, escaped con Buck picks up beautiful Rebecca and she turns out to be amoral enough to fall for him, psychotic killer and all. In flashback we see him off the swinger couple of Brad Armstrong and Dyanna Lauren, typical of an A-list cast.
FInding ads for Swingers in the newspaper is how Buck finds his marks, to rob and kill them without (until later in the film pangs of conscience occur) compunction. Police procedural elements with cop Tony Tedeschi and FBI agents Jonathan Morgan & Steven St. Croix are handled well, without any of the expected humor occurring.
A solid chase & helicopter climax is punctuated by plenty of exploding blood packs more impressive than many a mainstream B-picture. Buck handles his nutso Good Ole Boy role skilfully, and acting is solid down the line.

Description and review: AKA: Dans le Vice, Family Group, The Au-Pair Girl
Scene Breakdowns
Scene 1. Stefania Sartori, Boris Bianco
Scene 2. Suzy Cat, Boris Bianco
Scene 3. Julia Larot, Suzy Cat, Francesco Malcom
Scene 4. Suzy Cat, Eros Cristaldi
Scene 5. Stefania Sartori, Francesco Malcom
Scene 6. Julia Larot, Boris Bianco
Scene 7. Julia Larot, Julia Tchernei, Stefania Sartori, Suzy Cat, Boris Bianco, Eros Cristaldi, Francesco Malcom, Mike Foster,

Description and review: A flickering fire in a pit casts shadows on a cave wall of a couple, half-human, half-animal, engaged in sex. The shadows have tails and small horns. There's a sense of something strangely primitive, almost mythological... Director Michael Zen takes you on a journey into the netherworld. A mystical place where angels fear to tread & debauchery runs rampant.
Scene Breakdowns
Scene 1. Asia Carrera, Brad Armstrong, Mickey G.
Scene 2. Asia Carrera, Jenna Jameson, Mickey G.
Scene 3. Jenna Jameson, Missy
Scene 4. Chloe, Jenna Jameson, Brad Armstrong, Mark Davis, Mickey G.
Scene 5. Asia Carrera, Jenna Jameson, Missy, Brad Armstrong, Mickey G.
Scene 6. Asia Carrera, Missy, Mickey G.
Scene 7. Stacy Valentine, Peter North, Tom Byron
Scene 8. Jenna Jameson, Brad Armstrong
Review:
Fans like me lamenting the death of Adult Cinema with a story need only go back to bygone eras: the Golden Age of theatrical porn features in the '70s and this big-budget feature from the productive late '90s.
Michael Zen treats his fantasy/horror subject matter with respect and for the most part the film plays like a mainstream genre film, only with better costumes and of course, sexual content. Jenna Jameson stars (she was Number One in the industry at the time) as a college student who goes to Asia Carrera's mansion to research her paper on animal mythology. Raven Touchstone's fine screenplay deals not just with the mythical being of a Satyr but also the more modern use of the term to describe an oversexed human.
Sex scenes are as lavish as the costumes by Ms. September and make-up artiste Lee Garland, with latter providing stunning hairdos for leads Jenna, Carrera and Stacy Valentine. As reviews note, Stacy steals the spotlight in her majestic three-way sex scene with Peter North and Tom Byron, which only proves that even at the peak of her popularity and industry clout, Jameson did not pull rank and complain about another actress stealing her thunder. The resulting film is better for it.
Carrera is also enticing in the movie's most dramatic role, and Brad Armstrong in his young stud years is very appealing as a disdainful, almost effete leading man and also the title Satyr. Final silhouette shot of him and Jenna humping away , horns and all, now as figures of legend is a terrific ending to a skilful fantasy.

Description and review: AKA: Ejacula - Die Jungfauenschänderin [German]
Watch As The Pristine Are Deflowered And Become Cock Craving Cum-Suckers! The seduction continues as Ejacula hunts for a flawless virgin to take part in the ritual vampire orgy!
Scene Breakdowns
Scene 1. Babette, Joey Silvera
Scene 2. Tonisha Mills, Ron Jeremy
Scene 3. Patricia Kennedy, Joey Silvera
Scene 4. Beatrice Valle, Lois Ayres, Lynn LeMay, Jean-Pierre Armand, Richard Langin, Yves Baillat
Scene 5. Babette, Ron Jeremy
Scene 6. Beatrice Valle, Jean-Pierre Armand
Scene 7. Babette, Beatrice Valle, Carolyn Monroe, girl, Lois Ayres, Lynn LeMay, Patricia Kennedy, Stella Grey, Tonisha Mills, Jean-Pierre Armand, Joey Silvera, Richard Langin, Rocco Siffredi, Ron Jeremy, Yves Baillat
Review:
Patricia Kennedy (as Ejacula) and Rocco Siffredi star in this Euro porn movie, with Part 2 not really completing the saga, as Ejacula escapes the clutches of vampire hunters. Casting is okay, except for redhead Kennedy's tan lines -these vampires still sleep in coffins yet walk around outdoors in the daytime.
Ron Jeremy is their hunchback sidekick, an irritating character constantly eating live worms like some Frat boy on a dare. His hedgehog body remains under wraps (thank God) but his big dick keeps getting blow jobs. That and a free trip to Europe (as was so very common for American porn stars in the free-spending '90s) explain his presence here.
Direction by Max Bellocchio and Ralf Scott is amateur night throughout, and both of them co-star as vampire hunters. Joey Silvera and Babette play doomed honeymooners in an impressive cast roster headed by big-bust queens Tonisha Mills and Carolyn Monroe.

Description and review: The first installment of a series that theoretically is supposed to consist of fetish-flavored and anal-oriented feature-length movies, as opposed to the vignette-based Euro Angels series, though in practice, the two frequently overlap. 
Scene Breakdowns
Scene 1. Karli Sweet, Eva Roberts, Nikki Anderson, David Perry, Philippe Soine
Scene 2. Julia Taylor, Nikki Anderson, Clark, Karl Ben, Philippe Soine, Robert Mester, Zoltan
Scene 3. Cristina, Chris Charming, Remigio Zampa
Scene 4. Monica Cameron, David Perry, Philippe Soine
Scene 5. Karli Sweet, Christoph Clark
Scene 6. Eniko, Eva Roberts, Kata Hegely, Christoph Clark, Remigio Zampa, Clark, Karl Ben, Philippe Soine, Robert Mester, Zoltan
Review:
As is sometimes the case, this first edition is arguably the best, with an atmosphere of pervading sleaze aided by a clanking electronic soundtrack, as Christoph depicts the grim, grey views of sexual life on the seedy side of Budapest. A suitably jaded-looking Philippe Soine plays a pimp who spends the whole movie pensively going around the city from one sordid scene to another, where relentless anal sex with submissive girls is standard fare. To avoid repetition, it goes without saying that every scene features gaping, so you may be advised to avoid it if this sort of thing bothers you, though I'd suggest that the mood and strength of action is worth persevering with.

--Nikki Anderson, Annie (?) Eva, Philippe, David-- Philippe is seen lording it over a few of his girls: the divine Nikki Anderson, the gorgeous blonde with a superb body and stunning legs looking awesome in suspender tights; Annie, a curvaceous brunette in some fetish gear; and fragile little Eva Roberts, a pretty brunette slave (whose sole purpose in this scene is to hold Philippe's cigar). Annie has to hold her own ass open so Soine and his assistant David can insert their fingers and a series of increasingly large dildos into her anus. The action progresses with Nikki receiving dildos and then anal sex. Annie supplies A2M, then is ass fucked herself. She is DP by the guys, with Nikki's assistance and a strap-on. Facials for Annie, and Philippe sits back for a smoke and a sadistic laugh at her sperm-splattered visage.

An interlude of views of the city streets and shots following presumably unsuspecting women around.

--Julia Taylor, several guys, Philippe, Nikki-- Now, which credit pertains to prolific red-headed starlet Julia, I am not sure, but here she is seen dancing for Philippe and letting him play with her bum, while he liases with Nikki by telephone. She finds a group of likely lads in an underground station, and brings them back to the hotel room for a gangbang. Nikki merely jerks a few cocks, but Julia does the business. She ends up face-down, ass-up so the group of guys can take turns fucking her exposed ass. She ends up with multiple loads plastering her.

--Christine (?), Chris, Remigio--
Philippe is still seeing flashbacks from the last scene when, in a toilet, he meets to make a payment with shady characters Chris and Remigio. The duo go to play pool but are distracted by a young brunette with big eyes and a sexy body, she's not as pretty as I first thought, but nonetheless, it's remarkable how she copes with the rough anal examination she gets from these two well-endowed guys (I hesitate to call them gentlemen). They open her ass with their fingers, and she makes plenty of noise while they alternate fucking her rectum. They DP and both guys continue to fuck her. To conclude, they shoot on her backside and open anus, and she gives a post-come head. I'm guessing she's Christine - she is in Assman 6, and there's a similar credit there too.

--Monic, Philippe, David--
Philippe again travels cross-town to a rendezvous with David, and another chance to show his mastery of the ladies. This time the recipient of a stiff seeing-to is the very young and lovely Monic (sometimes credited as Noelle, e.g., Euro Angels 6 & 8; as Monica in True Anal Stories 2 & 3), a really pretty and vivacious brunette whose slim legs look great in sheer nylons and impossibly high heels. Perry is instructed to drop his pants and face the wall. No, it's not that kind of movie. Monic is ordered to lick David's ass, and she gives him a BJ too. The men then use fingers and toys to prepare her little bum for a sound shafting. They take turns fucking her, and then it's DP time, including a great shot where they hold her up as both cocks piston into her body while her legs wave in the air. Two loads to the face and some clean-up oral finish off a superb scene.

--Hooded girl, Christoph--
In a style of scene that Christoph has subsequently repeated once too often, he uses a range of sex toys and some advanced anal techniques to dominate a hooded slave girl. Here, after promising on the phone to visit Philippe, he uses dildos, anal balls and his own dick to subjugate this girl, who is subjected to a stream of invective about being his bitch and so forth. After an abortive attempt to insert a stupidly massive dildo, he shoots into her very wide-open anus. We never see the face of the girl, who is instructed to return to her corner, like a little dog, when Christoph leaves.

--Eniko, Kata, Eva, Philippe and most of the other men-- The finale is a massive group romp, with two buxom girls at the centre of attention - curvaceous red/brown haired Eniko, one of Christoph's favourite anal expert partners from numerous Euro Angels, and blonde Kata (who you can also see in Buttman's Anal Show). Kata's in black nylons while Eniko's tights have been ripped at the crotch to allow slave girl Eva to work her fingers into her ass. She simultaneously does this with both girls (nearly fisting, but keeping it US-compliant) before Philippe takes over. The noise level rises as the girls use dildos on their own asses, and then it becomes a merry-go-round of ass fucking, DPs and even three-into-one, interrupted only by the arrival of Christoph. It becomes pretty hard to tell who is who as cock after cock is switched between asses, cunts and mouths. Lots of come flies onto the girls' faces but they keep sucking till it's all done.

--Overall--
As you can tell, the plot element of the feature is so thin as to be virtually transparent, but as for the sex it is absolutely relentless, virtually all anal and very hard to surpass for a movie of this type. Add some fantastic girls (though not all stunningly beautiful) who give some great performances and as I mentioned, a genuinely sleazy, grimy atmosphere and you have a rather fine piece of unabashed hardcore pornography.

Description and review: An innocent woman (Jewel DeNyle) is thrust into the sordid world of the undead when she witnesses a brutal murder and inadvertently becomes the next target. Fearing for her life, she seeks the aid of a young detective (Dillion Day), only to find that there is no protection from those who stalk her. No refuge from the wrath of the undead or their queen (Sydnee Steele). Her sleep becomes riddled with nightmares, only to wake to find that she has become one of them.
Scene Breakdowns
Scene 1. Ginger Paige, Voodoo
Scene 3. Sydnee Steele, Mike Horner
Scene 4. Jewel De'Nyle, Sydnee Steele
Scene 5. Jewel De'Nyle, Mickey G.
Scene 6. Jewel De'Nyle
Scene 7. Ginger Paige, McKayla
Scene 8. April Flowers, Erik Everhard
Scene 9. Felecia Ryder, Dillon Day
Review:
It's a full-length high budget feature about vampires. Jewel de Nyle gets bitten by a vampire, and she wants to destroy the vampires' nest, so that other people will not suffer in the future.

Scene 1: In the Restroom
Ginger Paige is a vampire. She comes to a night dance club to get some blood. She finds a cool guy, takes him to the men's room and has sex with him. They start with oral, then vaginal, and after he cums, Ginger bites him. The whole restroom cell is sprinkled with blood. In the commentary, the producers of this movie talk about the special effects for this scene - they are definitely cool - check out the special features to find out what was done and how it was done.

Scene 2: Sydnee
Sydnee Steele is a vampire too. She comes to find Ginger and reproaches her for making the mess in a public place with lots of people around. They walk down the street, she stops a car and gets in. The guy who drives the car thinks she's a hooker, so he is looking for a quiet place to have sex. They drive to an empty street corner and have sex there in the car. She gives him a blowjob, then they engage in a vaginal action, etc.

Jewel de Nyle is a regular person driving in a car down the street. Her gas tank is getting empty, so she drives off to park the car and ask for help. It so happens that she walks to the car where Sydnee is finishing with the guy - Sydnee bites him and the blood is all over the interior of the car. Jewel notices that and runs away to the police. The police guys at first don't take her seriously. One of the policemen takes her home, she falls asleep.

Scene 3: The Real Dream
Jewel has a night dream about what happened to her today, and about Sydnee coming to her and having lesbian sex with her. The action is excellent - both performers are just gorgeous, the scene is nicely done, the lighting is perfect. In the end, Sydnee bites her as well, but only with the purpose of infecting her, not to drink her blood.

When Jewel wakes up, she realizes that it was for real because she can see two small holes in the place where she was bitten by Sydnee in her dream. She calls police, but when the policemen comes, it's already too late - she is close to death. By the time the ambulance reaches the hospital and the doctors try to do something to reanimate her, Jewel dies.

Scene 4: In the Morgue
We then see a scene in the hospital morgue. The guy who works there hears strange noises - he goes to check out the fridge with the Jewel's body, and it turns out that she's alive. What happens next is easy to predict - they have oral and vaginal sex, she bites the guy to get his clothes, and gets out of the hospital.
Jewel goes home, but her sex drive and blood thirst don't let her stay in one place - she feels that she needs to go somewhere in the city, so she takes a taxi, forces the taxi driver to get out of the car, and goes to the meeting place of the vampires. The policeman that brought her home last night follows her to the vampires' next.

Scene 5: Vampires' Nest
Jewel comes to the place where the vampires meet. They tell her about all the advantages of being a vampire, but she doesn’t buy that, so they show her lots of things. They bring two beautiful blondes that were kept in cages, bite them, have sex with them, drink their blood. Jewel doesn't want to wait until the end of the performance - she kills Ginger, who falls on a pile of sharp wood logs - one of the sticks gets thru Ginger's heart and makes her burn. Other vampires are trying to do something with Jewel, but she has a gun.

Scene 6: The Policeman
The policeman who was following Jewel to the vampires' nest decides to take some action, but he meets a vampire girl who seduces him, gives him a blowjob, they have vaginal sex, the guy cums on her face, and she tries to bite him as well - he successfully resists. The vampire disappears in the dark.

The policeman and Jewel kill all the vampires one by one, then Jewel asks him to kill her too because she is turning into a vampire. He shoves a metal rod thru her heart and she dies. It seems that it's all over, but that's not the case - one of the girls who was just bitten survives, which means that the vampires are not completely terminated…

Overall: Audio/Video quality is outstanding!!! This is a high budget movie which can very well compete with the mainstream titles in terms of the quality, costumes, special effects, etc. The cast is great, the story is well told, and the whole flick can be considered a big success. It's a great movie for your Halloween party!!!

Description and review: Lust Never Dies
MEET HELLS NEWEST ANGEL.
Award winning director Michael Raven (Best Film AVN Awards 2001) weaves a classic tale of lost love, dark desires and endless evil as only Raven can… From a pulse pounding sexual roller coaster ride into the heart of hell to the sex filled dens of the souless… Raven shows a world of sin unlike anything ever imagined, peopled with wild beauties, tireless studs…all captives in a landscape of sheer decadence.
A 2001 "Editor's Pick" Selection
Scene Breakdowns
Scene 1. Jessica Drake, Ryan Conner, Zoe, Evan Stone
Scene 2. Alex Foxe, April Flowers, Bridgette Kerkove, Ian Daniels, John Decker, Cheyne Collins, Skeeter Kerkove
Scene 3. Taylor St. Claire, Lexington Steele
Scene 4. Ava Vincent, Chris Cannon
Scene 5. Asia Carrera, Dillon Day
Review
Based on the classic tale of Orpheus, Underworld tells the tale of Apollo Greenspan, a business tycoon (get it??? GREENSPAN?)who takes his own life. His son, Orpheus, travels via taxi to The Underworld, a hell-bent S & M bar, with the intent of "rescuing" his girlfriend Eurydice, and bringing her back to the world of the living.
However, The Underworld proves a more treacherous place than he had bargained for...
_____________________________________

It seems that Mr. Raven intended for this film to act as a possible breakthrough vehicle from the world of hardcore to the world of, at least low budget "mainstream" films. He fills the screen with as much style and glamor as the small budget allows as well as flashy, music video style editing (a technique which both helps and hurts the film).
Coupled with the facts that it is actually shot on film (I think Super 16mm, NOT 35mm as the box states) by industry cinematographer great Jack Remy, Underworld certainly looks better than 95% of new hardcore. In fact, the cinematography is so good at times that Remy's abilities outshine those of some of the most sought after Hollywood cinematographers of the last few years.
Another truly incredible aspect of this production is the music. A nice mixture of electronic composition and some damn good songs (take special note of the blazer played over the closing credits). It's nice to see a hardcore film with good, ORIGINAL, music.
Here, sadly, is where my praise must stop. Besides the glossy look many portions of this film have, there is a near constant feeling of cheapness about the production. The sets look tacky, especially Pluto's (Herschel Savage's) bedroom(???) set which looks like is was rescued from a dumpster behind a high school auditorium in 1980.
The acting is also far less convincing than I was initially led to believe. Although Dillon Day isn't all that bad in the lead role as Orpheus, the vast majority of the cast barely get by their lines.
Special mention must go to Taylor St. Claire and Asia Carrera, both of whom deliver surprisingly solid performances despite their small roles. Mike Horner and Hershel Savage both deliver fine performances as Apollo and Pluto.
What really kills the film is the over abundance of sex. Out of the film's 87 minute running time, only 36 minutes are dedicated to the genuinely interesting plot, a real shame in light of the truly outstanding pre-credits sequence which involves Horner (Apollo) committing suicide while watching a seemingly possessed porn video.
The scrip and characters are also sorely underdeveloped and leave a lot to be desired narratively.
Raven suffers from an affliction effecting the work of almost all modern directors in the sex industry who try to make intelligent, narrative hardcore films. Unlike veterans such as Chuck Vincent, Gary Graver, Gerard Damiano, or Armand Weston who were able to skillfully create films in which sex was an integral part of the story and effectiveness of the film as a whole, Raven has gone down the rather disappointing path of creating potentially standout narratives but then destroying them by ultimately too long and irrelevant sex scenes.
Case in point is the fact that of the film's five sex scenes, only one (the orgy in The Underworld) is shot with the same feeling and editing style of the rest of the film. In fact, one rather boring coupling even looks like it was shot on DV, instead of film, and really destroys the flow of this rather morbid tale.
Had Raven been sensible enough to fully develop his characters and plot (which would have required another 30 minutes or so of pure story) as well as at least shot the rather nondescript sex scenes with the same visual flare as the rest of the film, he could have had at least a very good film. He did not and the result is simply mediocre.

Description and review: Scene Breakdowns
Scene 1. Ann McCormick, Louise McCormick, Ben Dover, Bob Scott, Pascal White
Scene 2. Kinky, Ben Dover, Bob Scott, Pascal White
Scene 3. Georgette Neale, Ben Dover, Bob Scott, Pascal White
Scene 4. Terri Weymouth, Ben Dover, Bob Scott, Pascal White
Review:
Scene 1
We meet Jade, and after some posing and shots of her underwear, as she climbs a ladder, she informs Ben, Pascal and Bob that she has a surprise. She steps out of a doorway and we see Jamie, her IDENTICAL TWIN SISTER. They're okay looking but have nice bodies. Small tits, narrow waist and flaring hips with nice butts. We watch the two girls clad in tank tops and panties playing in a hot tub. Pascal can't take it anymore and walks to the edge of the tub, dick standing at attention. The sisters show good oral skills as they take turns blowing him. Ben and Bob get their dicks sucked a little then Bob and Pascal fuck these girls like there's no tomorrow. We watch them side by side getting fucked, mish, doggy, CG, etc. Then we see Jamie getting her ass busted mish. Ben tells Jade to lean over and get a closer look as Bob fucks her, Then, Pascal pulls hs dick from Jamie's ass and Jade sucks the slime before sticking it back in her sister's butt. Next, we see Bob fucking Jade's ass doggy, Jamie pulls his dick from her sister's butt twice, sucking it each time then sticking it back in her ass. Next, we see the girls in a 69 position. Jade is getting her butt fucked by Pascal and he pulls his dick outta her ass twice and sticks in Jamie's mouth. Finally, Bob and Pascal cum on Jamie's face. Ben cums in Jade's mouth, then she bends down and spits the cum in her sister's open and waiting mouth...

Scene 2
We meet a very pretty 18-year-old named Rebecca. She's roomies with a girl named Tracy that appeared in Horny Housewives Fantasies 3. Nice body with small, perky tits and a ass and legs that are a sight indeed, Anyway, she does a bullshit striptease and then after Ben and Pascal finger fuck her awhile, we see her on her knees sucking on Ben, Pascal's and Bob's dicks. We watch her bend over the arm of the sofa and Pascal drills her doggy as she sucks Bob. Then we see her lying on the arm, legs high and Bob fucking her so had, she's using her hands to brace herself on the wall behind her or he'll put her skull thru the wall. Then Pascal fucks her RCG, and Bob joins in, and they DPP her. All three guys unload on her face and tits. She sucks each of them some afterward.

Scene 3
We meet a decent-looking girl named Sasha. She has nice big tits, long sapely legs and a killer butt. We watch her lie back on a sofa and finger herself.Then she pulls down Ben's jeans and shows some pretty impressive oral skills, including deepthroat. Pascal enters the room naked and rock hard, He sinks to his knees and eats her bald pussy before climbing up on the sofa, straddling her face and fucking her mouth. She also licks his asshole. When Pascal fucks her doggy, Bob appears from nowhere and sticks his dick in her mouth. The two studs fuck this honey everyway inmaginable. They also DPP and DP her. She sucks Ben off as Pascal bangs her doggy and then he and Bob cum on her face.

Scene 4
We meet Terry, a plump girl with a great attitude. She has fake tits, a few rolls around the middle and a big, jiggly ass. She goes upstairs to change. She returns wearing a teddy, stockings and heels. She's also surprised to see all three guys standing below naked and ready to go. After she shows some so-so oral skill, the guys are all over this girl. After they take turns banging her doggy, RCG, CG and mish, Bob and Pascal DPP her. All three guys explode on her face and tits.

Very good movie. I'm not a fan of DPP's but there's enough raunchy shit in here for everybody.

Description and review: This is a supernatural thriller filled with angels, of both the good and evil variety. The plot centers around a mysterious group of cult members that stalk and kill prostitutes for their own sinister purpose, and the police don't have a clue. But Mike Horner does. No one wants to know, so he launches his own investigation, and discovers some dark and sexual secrets. Then there are the Watchers, angels? Demons or over-sex supernatural creatures? This red-hot sex-vid is full of surprises. Don't miss Bridgett Kerkove as she takes a sinister six-way gang bang before the cult uses her for their nefarious needs. This is a masterpiece of dark eroticism from the master, Michael Raven.
Scene Breakdowns
Scene 1. Bridgette Kerkove, Chennin Blanc, Shelbee Myne, Cheyne Collins, Eric Masterson, Pat Myne
Scene 2. Katja Kean, Tavalia Griffin, Mr. Marcus
Scene 3. Julie Meadows, Dillon Day
Scene 4. Katja Kean, Shay Sweet
Scene 5. Sydnee Steele, Randy Spears