Best retro porn by years
On this page, we've compiled the top 5 best vintage porn for every decade. For a complete list of all retro movies of a particular year, click the link below each block.
Top 5 best videos from 40s and before

Grandpa's Naughty Old Time (1940's-50's) - (1940)
![[Soft] Forbidden Cinema Volume 4 – Lost Burlesque Classics (1940’s-50’s)](https://allclassic.porn/contents/videos_screenshots/2000/2348/320x240/20.jpg)
[Soft] Forbidden Cinema Volume 4 – Lost Burlesque Classics (1940’s-50’s) - (1946)
– Parisian Nights With Ilona
– Screen Test of Joan Arnold
– Sheree In Her Original Harem Dance Sheree North
– Inga Zarby
– Annette – Naughty, Naughty
– Bonnie Jean Hendre
– Cherry Knight
– Yvonne Marthay
– Marie Voe
– Lana
– Lois in Lingerie Delilah Jones
– Silk Stocking Poses
– Nude Photo Fun
– The Sea Nymph
– How To Hold A Husband
– Backstage in Burlesque
– Honymoon Help Meet
– Sally Rand’s Bubble Dance Sally Rand
– Black Lingerie
– Sarong Dance
![[Soft]: Reel Classics #1](https://allclassic.porn/contents/videos_screenshots/1000/1357/320x240/30.jpg)
[Soft]: Reel Classics #1 - (1940)

A History of the Blue Movie (1915-1975) - (1940)
Review:
This is clearly the best compilation of early "stag" footage, the only other one worthy of serious consideration being Bill Osco's Hollywood BLUE. It contains all those fabled favorites that once only saw the insides of brothels and affiliated "gentlemen's clubs" you may just have heard or read about.
The earliest American stag movie (or "smoker", as opposed to "loop", a term which did not enter common usage until the blue movie arcades and peep shows of the '60s) known to survive, A FREE RIDE a.k.a A GRASS SANDWICH (ca. 1915), still contains seriously steamy threesome action between two commendably eager females and one ready, willing and very able male.
The subsequent ON THE BEACH (a/k/a THE GOAT !) adds a remarkably thorough comedic plot to the pornographic proceedings. Excerpts from an explicit cartoon named BURIED TREASURE (possibly the work of the Fleischer brothers...) show a little guy getting into all sorts of increasingly surreal mischief courtesy of his unfeasibly large member.
You can file KEYHOLE PORTRAITS and snippets of '50s stripper reels under F for Filler. Far more interesting is the much discussed Candy Barr movie, SMART ALECK, which sees the stripper who gained notoriety as the girlfriend of shady nightclub owner Jack Ruby (i.e. the man who shot Lee Harvey Oswald who allegedly shot...well, you know that!), violently refusing to go down on her mate who's chomping at the bit. So a less appealing lady is drafted in to perform just that task with such vigor as to practically mesmerize - and indeed overshadow somewhat - this loop's central starlet.
The movie's true highlight is the legendary NUN'S STORY about a stunning Sister who sheds her habit to make genuinely passionate love with her Elvis-pompadoured boyfriend before re-donning the cloth at scene's end.
Now is as good a time as any to shed a little light - if any were needed - on the man responsible for this collection, the late great Alex DeRenzy. Prior to his emergence as one of the greatest erotic filmmakers of all time with classics like FEMMES DE SADE, BABY FACE and PRETTY PEACHES, his main claim to industry fame was as the proprietor of the Screening Room, one of San Francisco's pioneering (pre-Pussycat) porno palaces.
The latter part of HISTORY kind of belies its title by providing what was perceived at the time as mere publicity for its director's business and place thereof. Of course, nearly 4 decades later, it's easy to state that time has been kind to this particular section.
A massage parlor sequence, pre-figuring DeRenzy's early classic FANTASY GIRLS, has cute acting, copious nudity but no visible penetration as an inexperienced masseuse tries to fend off the amorous advances of her horny client. Beautiful Bonnie Holiday, a too frequently overlooked actress who was instrumental in bringing her goddess girlfriend Annette Haven into the industry, languidly responds to an unseen interviewer as she teasingly strips and pleasures herself in a wonderfully erotic segment.
The last scene has a young couple responding to a modeling ad and turning up at, you guessed it, the Screening Room for an artistically shot audition that already showcases embryonic versions of the type of visual effects DeRenzy was to refine in his later work.
All in all, an important excursion into porno's past and an eloquent charting of the genre's evolution (or lack thereof...) in terms of style and content. Serious students of sex cinema will probably benefit most from this hardcore history lesson though even the occasional porn hound who couldn't care less should find portions of it to his liking.
![[Soft]: Forbidden Cinema Volume 3 – Naughty Nudies of the 40’s and 50’s](https://allclassic.porn/contents/videos_screenshots/2000/2349/320x240/12.jpg)
[Soft]: Forbidden Cinema Volume 3 – Naughty Nudies of the 40’s and 50’s - (1947)
By the 1940s amateur erotic productins of beautiful models and strippers performing their dances abounded. Blue or stag movies were produced secretly in homes, then circulated discreetly, because it was a felongy to be caught viewing or possessing them. This collection features some of the top models of the era, often shot at unusual angles to emphasize the ladies’ amazing assets. The segments are longer with the camera competely exploring the unbelievable charms of woman unadorned.
– Brunette on white couch
– Super busty in platinum wig
– Gap-toothed black hair
– Rocky Seashore
– Blonde in 3 Swimsuits (outdoors)
– Black jacket, strappy shoes (seated)
– Odd black swimsuit and patterned bikini (on stage)
– Donna Brown in bathtub
– Raven haired full nude champagne
– Blonde in swimming pool
– Beachcombing Belle
Top 5 best videos from 50s

Ozark Sex Fiend / Sexual Freedom in the Ozarks - Historic Erotica #30 - (1950)
Scene Breakdowns
Scene 1. Andrea True, Eric Edwards
Scene 2. Janet Jones, guy
Scene 3. Mary Stuart, Davey Jones
Scene 4. Andrea True, Russ Carlson
Scene 5. Mary Stuart, Eric Edwards
Scene 6. Janet Jones, Davey Jones
Scene 7. Andrea True, Mary Stuart
Scene 8. Andrea True, Mary Stuart, guy
Review:
I saw 8 of Shaun Costello's films theatrically (purely at random) back in the '70s-'80s, but thanks to a video, I've now seen over 50. OZARKS is quite minor but carries his stamp of clever plots/solid improvisation/slapdash production.
Shaun knits it all together by appearing on screen himself, giving newscasts that provide story exposition. A foursome is stranded after a plane crash (the durable movie gimmick of FIVE CAME BACK), and they split into two groups to seek help. (It's as far from the classy Reese Witherspoon production WILD as you can imagine.)
Dr. Maergaret Weed is portrayed by future disco star Andrea True, and though they're stranded and hiking for their lives, there's a handy blanket for True and a young, blond-haired Eric Edwards to hump on, seemingly to keep their spirits up (Reese had to rely on flashbacks for her sexual activity). The other pair hump on their own blanket, unidentified performers including a Black girl named Helen for mixed-combo action.
Banjo music plays as a third couple, farm folk Davey Jones & Mary Stuart have sex on yet a third blanket (too bad Shaun's work predates Product Placement as he could have hooked up with a manufacturer).
A reunited foursome finds the farmhouse with plenty of life-giving water belonging to Jones, and Costello pops up in a dual role-playing the farmhand. The auteur gets to hump True on a 4th blanket, and the farm's location is identified as Sleazy Oaks, Arkansas.
Eric befriends Stuart and tries selling her smog insurance (his job). She's not interested but humps him on another blanket. The Black girl Helen who is Weed's secretary, gets physical with Jones.
Costello is back on the air broadcasting that searchers have not found any trace of the plane (no surprise since this plane-crash movie is far too cheap to show us a plane at all)
The film ends with True and Stuart having a lesbian scene that segues to troilism.
What does it all mean? Basically, this is an exercise of form following function - events like the small-talk dialog are improvised and sexual content is born out of necessity - mixing and matching the available cast (minus any gay sex option, as the fans presumably wouldn't stand for that) in explicit sex mode until about an hour of usable footage has been printed. Edit, release, and repeat, with some slightly different concocted premise for the next masterwork.
It served the maestro well 40 years ago, and unfortunately, porn hasn't advanced much beyond this point, in fact regressing so that most new product more closely resembles the loops Edwards, True and Costello starred in at the beginning of their careers.
I do like Shaun's catchy title which proves great minds think alike. Even before he made this forgettable opus, I concocted a tile that was never used but has a similar ring: LESBO ACTIVITY IN THE ADIRONDACKS. Now that i've gone public with it, I hope someone uses it for a real video - I'll be the first (and last perhaps) kid on my block to buy a copy.

Linda Roberts Vintage: Scene 2 - (1950)
![[Soft]: Blue Vanities #115](https://allclassic.porn/contents/videos_screenshots/3000/3672/320x240/28.jpg)
[Soft]: Blue Vanities #115 - (1950)

Bucky Beaver's Stags Loops And Peeps #009 - (1950)
But really get into the swing with color footage of a voluptuous sepia siren searching for her inner self, until two long-haired white boys join the hunt!
Soon, a three-way sexfest - two gals, one guy - is "explained" by funny, funky subtitles...And, after a while, a Madonna-ish dish with golden hair and nicely rounded charms poses in dark hose!
Before long, a pixie-haired, bosomy, beauty-marked brunette, in earrings and nothing else, makes the black & white footage sing!
In color, early '60s footage, a cute, puffy-lipped brunette, shares staggering mammaries... And another cute, though less busty, brunette follows, spread on an orange spread!
Then, as a Bucky Bonus, we get several trailers for such '70's smutfests as Teenage Coeds and The Erotic Director.
Featuring the twin talents of RENE BOND and CAROL (Deep Throat) CONNORS.

American Vintage 2 - antique - (1950)
Top 5 best videos from 60s

Three Classic German Loops - (1960)
- Bohrloch Cabaret
- Siam Katzen
- Obsession X

Vintage VHS video: Die Hafennutten Von Napoli − Diamant Video #06 - (1960)

Retro 8mm porn: Schwarze Brüste Heisse Lüste − Starlight #1523 - (1960)

College Coeds - (1960)

Pornography in Denmark: A New Approach - (1969)
Review:
Made by a porno film pioneer Alex de Renzy, this 1970 documentary initiated the now 40-years-young era of widely distributed pornography. It's well-written narration is informative, but overall the "preaching to the choir" approach is boring.
At the time, the inclusion of considerable "naughty bits", namely explicit sex still photos and live action previously relegated to stag movies & smokers, gave the fans a thrill. But unlike De Renzy's later work, this is not sexually stimulating but more in the nature of filler.
As in his later movie WEED, De Renzy uses documentary for advocacy purposes, not trying to be objective. His presence, microphone in hand, is pervasive here as he interviews, with tepid results, men and women on the streets of Copenhagen with the burning question: "What do you think of free pornography here?". It is not free in the pocketbook sense, but it free of censorship for people 16 & up. It's generally serious, with an occasional yock, but not the satirical bent of the current advocacy king Michael Moore.
Some useful historical info is imparted: in 1964 the Danish courts finally cleared Cleland's novel "Fanny Hill" for public consumption, leading to legislation in June 1969 freeing not just written porn, but photos & movies too. De Renzy visits Sex '69, a porn expo where over 50 vendors show their wares to try & drum up foreign exports of smut. The main markets are Germany, U.S. and England.
Prices are interesting: mail-order movies are strictly 8mm, and cost $50 for a 10-minute (200-feet) black & white stag film or $100 for color. Put in perspective, with typical inflation exceeding 20 times over 40 years, that would be over $2,000 for a 10-minute stag loop in today's currency, when of course retro-fans get to see typically two-hour compilations of vintage stag material on DVD for roughly $20 now. That's $20 vs. the equivalent of $20,000 - a measure of how starved for titillation the previous generation (living in a censorship regime) was. (Another example: I just watched another SWV oldie THE HIPPIE REVOLT, and in Haight-Ashbury of 1967 it cost 25 cents to have a bag of washing done for you at the local laundromat, what costs me $10 to $15 in Manhattan today, or a 50 times inflation.)
Dirty magazines (showing d.p.'s and lots of explicit sex) Private and Color Climax are displayed as Alex tours sex shops, sex clubs and the like. A very lengthy sequence shows a girl and a moonlighting sailor filming a loop: this is quite tedious and ultimately softcore since De Renzy's 16mm camera can't get the angles to show us the explicit action. Later live-sex show is similarly tame, as it consists of a topless dancer and some furtive lesbian groping. More explicit are loops shot off the screen in a private club, plus a nude interview with an attractive 18-year-old (Toni), who does explicit magazine and film work.
Recurring theme, which I've heard in countless of these early porn films, is that Denmark's experiment gives strong evidence that freeing up porn can be beneficial to society, citing tentative stats on the decrease in sex crimes locally, both since the 1964 literature decision and the more general 1969 opening of the floodgates.
More interesting in retrospect is De Renzy's wondering how long it will take before pornographers start creating quality film material. Noting that no serious Danish filmmakers have taken the challenge, he laments the low standards, as the public (including export markets) will watch anything. Of course, within five years some terrific porn films were being made, including De Renzy's own work, but alas, 40 years later I contend that Gresham's Law has taken hold, and in effect the bad has driven the good out of the marketplace, simply because very cheaply made gonzo porn is so popular, so why waste the time, effort and big bucks to aim at quality (or even shoot on film)?
Top 5 best videos from the 70s

Pussycat Film 475: Spunky Birthday - (1979)

Pussycat Film 458: First Time Fucker - (1978)

Pretty Girls 069: Jinx & Lynn - (1976)

Pretty Girls 086: Carol - (1977)

Pussycat Film 419: Carnal Capers - (1975)
Top 5 best videos from 80s

Collection Film 134: Liberated Lady - (1981)

Pussycat Film 517: Lunchtime Lust - (1982)

Pussycat Film 485: Happy Screw Year - (1980)

Pussycat Film 504: Bathroom Peeper - (1981)

Pussycat Film 519: Dream Dick - (1983)
Top 5 best videos from 90s

Ejacula 2, Full (1995)
Watch As The Pristine Are Deflowered And Become Cock Craving Cum-Suckers! The seduction continues as Ejacula hunts for a flawless virgin to take part in the ritual vampire orgy!
Scene Breakdowns
Scene 1. Babette, Joey Silvera
Scene 2. Tonisha Mills, Ron Jeremy
Scene 3. Patricia Kennedy, Joey Silvera
Scene 4. Beatrice Valle, Lois Ayres, Lynn LeMay, Jean-Pierre Armand, Richard Langin, Yves Baillat
Scene 5. Babette, Ron Jeremy
Scene 6. Beatrice Valle, Jean-Pierre Armand
Scene 7. Babette, Beatrice Valle, Carolyn Monroe, girl, Lois Ayres, Lynn LeMay, Patricia Kennedy, Stella Grey, Tonisha Mills, Jean-Pierre Armand, Joey Silvera, Richard Langin, Rocco Siffredi, Ron Jeremy, Yves Baillat
Review:
Patricia Kennedy (as Ejacula) and Rocco Siffredi star in this Euro porn movie, with Part 2 not really completing the saga, as Ejacula escapes the clutches of vampire hunters. Casting is okay, except for redhead Kennedy's tan lines -these vampires still sleep in coffins yet walk around outdoors in the daytime.
Ron Jeremy is their hunchback sidekick, an irritating character constantly eating live worms like some Frat boy on a dare. His hedgehog body remains under wraps (thank God) but his big dick keeps getting blow jobs. That and a free trip to Europe (as was so very common for American porn stars in the free-spending '90s) explain his presence here.
Direction by Max Bellocchio and Ralf Scott is amateur night throughout, and both of them co-star as vampire hunters. Joey Silvera and Babette play doomed honeymooners in an impressive cast roster headed by big-bust queens Tonisha Mills and Carolyn Monroe.

Mosenpower, Uncut (1990)
Scene Breakdowns
Scene 1. Biggi Mondi, guy
Scene 2. Karin, Dietmar Z.
Scene 3. Claudia Eckner, Sandra Nova, James Lewis, Rick Shadow
Scene 4. Karin, Mara Bonner, James Lewis, Rick Shadow
Scene 5. Claudia Eckner, Sandra Nova, James Lewis, guy

The Castle of Lucretia, Uncensored (1997)
This is an adult fantasy about kings, queens, & other denizens of a castle. The sexual shenanigans take place in ancient times, and the focus is on a particularly adventurous princess called Lucretia (or Lucrezia, depending on which language you see it in).
Scene Breakdowns
Scene 1. Rossana Doll, Sarah Louise Young
Scene 2. Sarah Louise Young, Roberto Malone
Scene 3. Sarah Louise Young, Francesco Malcom
Scene 4. Rossana Doll, Sarah Louise Young, Roberto Malone
Scene 5. Rossana Doll, Roberto Malone
Scene 6. Erika Bella, Roberto Malone
The original was released in Italy by F.M. Video as 1 movie. Some scenes were edited from the American version, while others were added. Jean-Yves Le Castel has a scene in the American release, while Francesca Ray was deleted from the American release.
Review:
CASTLE OF LUCRETIA is a very well-made Italian porn film hailing from the big-budget era when shooting on 35mm was still an option. It's highly recommended for Sarah Young fans.
The British porn bombshell had a brief career in the '90s, making hundreds of shot-on-video classic XXX vignettes lensed by her better half, Sascha Alexander. Fortunately, she was also featured in a half dozen or so actual movies, all of which have preserved her beauty for latter-day porn fans.
Though her shortcomings as an actress are clearly evident, Young was well cast as LUCRETIA BORGIA, because she projects an innocence (no matter how hot & heavy the sex action gets) that makes her character's underlying evil more impressive. As brother Cesare Borgia, Roberto Malone is a good choice, he being all-baddie.
Presented in two parts, like her DECAMERON TALES epic, LUCRETIA runs a whopping 149 minutes long, with a dozen separate and lengthy sex scenes giving the fans more than their money's worth. This was the '90s precursor format (in America, Carlos Tobalina's FLESH AND LACES diptych is an '80s counterpart) to the 21st Century practice of original videos now routinely running three or four hours long, and priced steeply accordingly. It translates into fans getting to see Sarah doing her XXX thing for roughly two hours -who could complain?
Pic opens with her dreaming in bed, of a lesbian liaison with her maid Rossana (beautiful blonde Rossana Doll). These actresses co-starred again for director Mario Bianchi ("Nicholas Moore") in SARAH ON HEAT, one of her few titles I've been unable to track down anywhere.
Second sex scene introduces the film's incest theme, as bro Cesare (Malone) has a torrid romp in bed with Lucretia, professing his life-long love for her. He throws a birthday party for her, and while the guests are being entertained by a juggler, a martial arts expert and an exotic dancer, Lucretia slips away to seduce a young boy after they've made eye contact at the bash.
SPOILERS:
After servicing the big-dicked youth, Lucretia pretends that he tried to rape her, and Cesare chokes the lad to death. It turns out the siblings were just funning in their own peculiar way, and Cesare chucks the poor kid out the window, to be considered a suicide.
After the party the Borgias have a threesome with Rossana that covers as many bases as possible: lesbian sex, anal sex, sixty-nine, copious money shot and even a bukake ending.
Sex scene #5 has Cesare slapping Rossana around, then pleasuring her.
For vignette #6, we see Cesare attending to his official duties, listening to pleas from his subjects. Erika Bella, a fabulous beauty in her own right (whose figure closely matches that of Sarah's), complains that her husband is impotent and can't service her properly, so Cesare decides to check out her equipment to see if it will stimulate him. No surprise -it does, and after another money shot he pledges to help her out in similar fashion in future.
Meanwhile, Lucretia has fallen in love with Squire Erminio, and the duo slip away to his cottage for a fascinating sex scene. Director Bianchi sets it in one of those re-created homes for tourists, replete with over a dozen white statues of typical peasants of a bygone era, all clad in period costumes. Lucretia and the squire have a thorough sex outing, in many positions, all as the manikins look on, framing the action. It's the kind of creative setting that makes all the difference in a sex movie.
For scene #8, it's more incest, with Lucretia favoring a between-the-breasts gambit. His money shot is delivered into a martini-shaped wine glass, for sis to drink the mixture.
Returning to the cottage, Lucretia finds Erminio hanging around, literally, as Cesare has discovered her love affair and killed the poor bloke. He locks up his wayward sister in a dungeon, and has another liaison with Rossana, only this time delegating the sex to a well-hung, bearded guard - he was a bit tired out by this time.
Yet Malone recovers nicely, having sex scene #10 with a short, slim brunette who's a virgin (until he gets hold of her). Next visiting the dungeon, Sarah is chained and shackled at the wrists, being whipped by a black-caped femme. Cesare services her in bondage and ponders her fate.
Erika returns but is tortured, same shackles/dungeon as Lucretia, for some trumped-up indiscretion, leading to the femme torturer and Cesare having a three-way with her.
Finale is a dinner party with Lucretia ,let out of captivity and dressed to the nines to meet her public. She has black-clad henchmen suddenly appear and knife everyone present, including (and especially) brother Cesare and Rossana. Dying, Cesare looks forward to an evil eternity with her and even gets the last laugh.
This sex spectacular is well-mounted (pun intended), with lavish costuming, attractive sets replete with murals, tapestry and all the trimmings, and careful lighting and photography. It's hardly a big-budget enterprise, but a more-than-solid outlay for a porn film. Director Bianchi keeps the sex scenes moving through quality editing and lots of variety, factors that are currently lacking in the cheap-jack "real-time video" lensing of recent porn.
Nearly all of the dozen scenes involve and emphasize anal sex, clearly de rigeur for a European film when this was made. The English dubbing is adequate, but the film's one downside is a lousy musical score, anachronistic and synthesized.

Gruppo di famiglia, Full (1995)
Scene Breakdowns
Scene 1. Stefania Sartori, Boris Bianco
Scene 2. Suzy Cat, Boris Bianco
Scene 3. Julia Larot, Suzy Cat, Francesco Malcom
Scene 4. Suzy Cat, Eros Cristaldi
Scene 5. Stefania Sartori, Francesco Malcom
Scene 6. Julia Larot, Boris Bianco
Scene 7. Julia Larot, Julia Tchernei, Stefania Sartori, Suzy Cat, Boris Bianco, Eros Cristaldi, Francesco Malcom, Mike Foster,

Buttslammers - (1993)
The result was AVN's 1993 Best All-Girl Feature, a tape that taught us all that bitches could play every bit as rough - rougher even - than bastards. We miss ya Uncle Brucie.
Scene Breakdowns
Scene 1. Ariana, Misty Rain, Victoria Paris
Scene 2. Alex Jordan, Lia Baren, Melanie Moore, Tiffany Mynx
Scene 3. Bionca, Lacy Rose, Rebecca Bardoux
Scene 4. Misty Rain, Nikki Shane, Tianna
Scene 5. Madison
Top 5 best videos from 2000s

Euro Angels Hardball #1 - (2000)
Scene Breakdowns
Scene 1. Karli Sweet, Eva Roberts, Nikki Anderson, David Perry, Philippe Soine
Scene 2. Julia Taylor, Nikki Anderson, Clark, Karl Ben, Philippe Soine, Robert Mester, Zoltan
Scene 3. Cristina, Chris Charming, Remigio Zampa
Scene 4. Monica Cameron, David Perry, Philippe Soine
Scene 5. Karli Sweet, Christoph Clark
Scene 6. Eniko, Eva Roberts, Kata Hegely, Christoph Clark, Remigio Zampa, Clark, Karl Ben, Philippe Soine, Robert Mester, Zoltan
Review:
As is sometimes the case, this first edition is arguably the best, with an atmosphere of pervading sleaze aided by a clanking electronic soundtrack, as Christoph depicts the grim, grey views of sexual life on the seedy side of Budapest. A suitably jaded-looking Philippe Soine plays a pimp who spends the whole movie pensively going around the city from one sordid scene to another, where relentless anal sex with submissive girls is standard fare. To avoid repetition, it goes without saying that every scene features gaping, so you may be advised to avoid it if this sort of thing bothers you, though I'd suggest that the mood and strength of action is worth persevering with.
--Nikki Anderson, Annie (?) Eva, Philippe, David-- Philippe is seen lording it over a few of his girls: the divine Nikki Anderson, the gorgeous blonde with a superb body and stunning legs looking awesome in suspender tights; Annie, a curvaceous brunette in some fetish gear; and fragile little Eva Roberts, a pretty brunette slave (whose sole purpose in this scene is to hold Philippe's cigar). Annie has to hold her own ass open so Soine and his assistant David can insert their fingers and a series of increasingly large dildos into her anus. The action progresses with Nikki receiving dildos and then anal sex. Annie supplies A2M, then is ass fucked herself. She is DP by the guys, with Nikki's assistance and a strap-on. Facials for Annie, and Philippe sits back for a smoke and a sadistic laugh at her sperm-splattered visage.
An interlude of views of the city streets and shots following presumably unsuspecting women around.
--Julia Taylor, several guys, Philippe, Nikki-- Now, which credit pertains to prolific red-headed starlet Julia, I am not sure, but here she is seen dancing for Philippe and letting him play with her bum, while he liases with Nikki by telephone. She finds a group of likely lads in an underground station, and brings them back to the hotel room for a gangbang. Nikki merely jerks a few cocks, but Julia does the business. She ends up face-down, ass-up so the group of guys can take turns fucking her exposed ass. She ends up with multiple loads plastering her.
--Christine (?), Chris, Remigio--
Philippe is still seeing flashbacks from the last scene when, in a toilet, he meets to make a payment with shady characters Chris and Remigio. The duo go to play pool but are distracted by a young brunette with big eyes and a sexy body, she's not as pretty as I first thought, but nonetheless, it's remarkable how she copes with the rough anal examination she gets from these two well-endowed guys (I hesitate to call them gentlemen). They open her ass with their fingers, and she makes plenty of noise while they alternate fucking her rectum. They DP and both guys continue to fuck her. To conclude, they shoot on her backside and open anus, and she gives a post-come head. I'm guessing she's Christine - she is in Assman 6, and there's a similar credit there too.
--Monic, Philippe, David--
Philippe again travels cross-town to a rendezvous with David, and another chance to show his mastery of the ladies. This time the recipient of a stiff seeing-to is the very young and lovely Monic (sometimes credited as Noelle, e.g., Euro Angels 6 & 8; as Monica in True Anal Stories 2 & 3), a really pretty and vivacious brunette whose slim legs look great in sheer nylons and impossibly high heels. Perry is instructed to drop his pants and face the wall. No, it's not that kind of movie. Monic is ordered to lick David's ass, and she gives him a BJ too. The men then use fingers and toys to prepare her little bum for a sound shafting. They take turns fucking her, and then it's DP time, including a great shot where they hold her up as both cocks piston into her body while her legs wave in the air. Two loads to the face and some clean-up oral finish off a superb scene.
--Hooded girl, Christoph--
In a style of scene that Christoph has subsequently repeated once too often, he uses a range of sex toys and some advanced anal techniques to dominate a hooded slave girl. Here, after promising on the phone to visit Philippe, he uses dildos, anal balls and his own dick to subjugate this girl, who is subjected to a stream of invective about being his bitch and so forth. After an abortive attempt to insert a stupidly massive dildo, he shoots into her very wide-open anus. We never see the face of the girl, who is instructed to return to her corner, like a little dog, when Christoph leaves.
--Eniko, Kata, Eva, Philippe and most of the other men-- The finale is a massive group romp, with two buxom girls at the centre of attention - curvaceous red/brown haired Eniko, one of Christoph's favourite anal expert partners from numerous Euro Angels, and blonde Kata (who you can also see in Buttman's Anal Show). Kata's in black nylons while Eniko's tights have been ripped at the crotch to allow slave girl Eva to work her fingers into her ass. She simultaneously does this with both girls (nearly fisting, but keeping it US-compliant) before Philippe takes over. The noise level rises as the girls use dildos on their own asses, and then it becomes a merry-go-round of ass fucking, DPs and even three-into-one, interrupted only by the arrival of Christoph. It becomes pretty hard to tell who is who as cock after cock is switched between asses, cunts and mouths. Lots of come flies onto the girls' faces but they keep sucking till it's all done.
--Overall--
As you can tell, the plot element of the feature is so thin as to be virtually transparent, but as for the sex it is absolutely relentless, virtually all anal and very hard to surpass for a movie of this type. Add some fantastic girls (though not all stunningly beautiful) who give some great performances and as I mentioned, a genuinely sleazy, grimy atmosphere and you have a rather fine piece of unabashed hardcore pornography.

Dark Angels, Full movie (2000)
Scene Breakdowns
Scene 1. Ginger Paige, Voodoo
Scene 3. Sydnee Steele, Mike Horner
Scene 4. Jewel De'Nyle, Sydnee Steele
Scene 5. Jewel De'Nyle, Mickey G.
Scene 6. Jewel De'Nyle
Scene 7. Ginger Paige, McKayla
Scene 8. April Flowers, Erik Everhard
Scene 9. Felecia Ryder, Dillon Day
Review:
It's a full-length high budget feature about vampires. Jewel de Nyle gets bitten by a vampire, and she wants to destroy the vampires' nest, so that other people will not suffer in the future.
Scene 1: In the Restroom
Ginger Paige is a vampire. She comes to a night dance club to get some blood. She finds a cool guy, takes him to the men's room and has sex with him. They start with oral, then vaginal, and after he cums, Ginger bites him. The whole restroom cell is sprinkled with blood. In the commentary, the producers of this movie talk about the special effects for this scene - they are definitely cool - check out the special features to find out what was done and how it was done.
Scene 2: Sydnee
Sydnee Steele is a vampire too. She comes to find Ginger and reproaches her for making the mess in a public place with lots of people around. They walk down the street, she stops a car and gets in. The guy who drives the car thinks she's a hooker, so he is looking for a quiet place to have sex. They drive to an empty street corner and have sex there in the car. She gives him a blowjob, then they engage in a vaginal action, etc.
Jewel de Nyle is a regular person driving in a car down the street. Her gas tank is getting empty, so she drives off to park the car and ask for help. It so happens that she walks to the car where Sydnee is finishing with the guy - Sydnee bites him and the blood is all over the interior of the car. Jewel notices that and runs away to the police. The police guys at first don't take her seriously. One of the policemen takes her home, she falls asleep.
Scene 3: The Real Dream
Jewel has a night dream about what happened to her today, and about Sydnee coming to her and having lesbian sex with her. The action is excellent - both performers are just gorgeous, the scene is nicely done, the lighting is perfect. In the end, Sydnee bites her as well, but only with the purpose of infecting her, not to drink her blood.
When Jewel wakes up, she realizes that it was for real because she can see two small holes in the place where she was bitten by Sydnee in her dream. She calls police, but when the policemen comes, it's already too late - she is close to death. By the time the ambulance reaches the hospital and the doctors try to do something to reanimate her, Jewel dies.
Scene 4: In the Morgue
We then see a scene in the hospital morgue. The guy who works there hears strange noises - he goes to check out the fridge with the Jewel's body, and it turns out that she's alive. What happens next is easy to predict - they have oral and vaginal sex, she bites the guy to get his clothes, and gets out of the hospital.
Jewel goes home, but her sex drive and blood thirst don't let her stay in one place - she feels that she needs to go somewhere in the city, so she takes a taxi, forces the taxi driver to get out of the car, and goes to the meeting place of the vampires. The policeman that brought her home last night follows her to the vampires' next.
Scene 5: Vampires' Nest
Jewel comes to the place where the vampires meet. They tell her about all the advantages of being a vampire, but she doesn’t buy that, so they show her lots of things. They bring two beautiful blondes that were kept in cages, bite them, have sex with them, drink their blood. Jewel doesn't want to wait until the end of the performance - she kills Ginger, who falls on a pile of sharp wood logs - one of the sticks gets thru Ginger's heart and makes her burn. Other vampires are trying to do something with Jewel, but she has a gun.
Scene 6: The Policeman
The policeman who was following Jewel to the vampires' nest decides to take some action, but he meets a vampire girl who seduces him, gives him a blowjob, they have vaginal sex, the guy cums on her face, and she tries to bite him as well - he successfully resists. The vampire disappears in the dark.
The policeman and Jewel kill all the vampires one by one, then Jewel asks him to kill her too because she is turning into a vampire. He shoves a metal rod thru her heart and she dies. It seems that it's all over, but that's not the case - one of the girls who was just bitten survives, which means that the vampires are not completely terminated…
Overall: Audio/Video quality is outstanding!!! This is a high budget movie which can very well compete with the mainstream titles in terms of the quality, costumes, special effects, etc. The cast is great, the story is well told, and the whole flick can be considered a big success. It's a great movie for your Halloween party!!!

Underworld, Full movie (2000)
MEET HELLS NEWEST ANGEL.
Award winning director Michael Raven (Best Film AVN Awards 2001) weaves a classic tale of lost love, dark desires and endless evil as only Raven can… From a pulse pounding sexual roller coaster ride into the heart of hell to the sex filled dens of the souless… Raven shows a world of sin unlike anything ever imagined, peopled with wild beauties, tireless studs…all captives in a landscape of sheer decadence.
A 2001 "Editor's Pick" Selection
Scene Breakdowns
Scene 1. Jessica Drake, Ryan Conner, Zoe, Evan Stone
Scene 2. Alex Foxe, April Flowers, Bridgette Kerkove, Ian Daniels, John Decker, Cheyne Collins, Skeeter Kerkove
Scene 3. Taylor St. Claire, Lexington Steele
Scene 4. Ava Vincent, Chris Cannon
Scene 5. Asia Carrera, Dillon Day
Review
Based on the classic tale of Orpheus, Underworld tells the tale of Apollo Greenspan, a business tycoon (get it??? GREENSPAN?)who takes his own life. His son, Orpheus, travels via taxi to The Underworld, a hell-bent S & M bar, with the intent of "rescuing" his girlfriend Eurydice, and bringing her back to the world of the living.
However, The Underworld proves a more treacherous place than he had bargained for...
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It seems that Mr. Raven intended for this film to act as a possible breakthrough vehicle from the world of hardcore to the world of, at least low budget "mainstream" films. He fills the screen with as much style and glamor as the small budget allows as well as flashy, music video style editing (a technique which both helps and hurts the film).
Coupled with the facts that it is actually shot on film (I think Super 16mm, NOT 35mm as the box states) by industry cinematographer great Jack Remy, Underworld certainly looks better than 95% of new hardcore. In fact, the cinematography is so good at times that Remy's abilities outshine those of some of the most sought after Hollywood cinematographers of the last few years.
Another truly incredible aspect of this production is the music. A nice mixture of electronic composition and some damn good songs (take special note of the blazer played over the closing credits). It's nice to see a hardcore film with good, ORIGINAL, music.
Here, sadly, is where my praise must stop. Besides the glossy look many portions of this film have, there is a near constant feeling of cheapness about the production. The sets look tacky, especially Pluto's (Herschel Savage's) bedroom(???) set which looks like is was rescued from a dumpster behind a high school auditorium in 1980.
The acting is also far less convincing than I was initially led to believe. Although Dillon Day isn't all that bad in the lead role as Orpheus, the vast majority of the cast barely get by their lines.
Special mention must go to Taylor St. Claire and Asia Carrera, both of whom deliver surprisingly solid performances despite their small roles. Mike Horner and Hershel Savage both deliver fine performances as Apollo and Pluto.
What really kills the film is the over abundance of sex. Out of the film's 87 minute running time, only 36 minutes are dedicated to the genuinely interesting plot, a real shame in light of the truly outstanding pre-credits sequence which involves Horner (Apollo) committing suicide while watching a seemingly possessed porn video.
The scrip and characters are also sorely underdeveloped and leave a lot to be desired narratively.
Raven suffers from an affliction effecting the work of almost all modern directors in the sex industry who try to make intelligent, narrative hardcore films. Unlike veterans such as Chuck Vincent, Gary Graver, Gerard Damiano, or Armand Weston who were able to skillfully create films in which sex was an integral part of the story and effectiveness of the film as a whole, Raven has gone down the rather disappointing path of creating potentially standout narratives but then destroying them by ultimately too long and irrelevant sex scenes.
Case in point is the fact that of the film's five sex scenes, only one (the orgy in The Underworld) is shot with the same feeling and editing style of the rest of the film. In fact, one rather boring coupling even looks like it was shot on DV, instead of film, and really destroys the flow of this rather morbid tale.
Had Raven been sensible enough to fully develop his characters and plot (which would have required another 30 minutes or so of pure story) as well as at least shot the rather nondescript sex scenes with the same visual flare as the rest of the film, he could have had at least a very good film. He did not and the result is simply mediocre.

Ben Dover's Dirty Blondes, Uncut Movie (2000)
Scene 1. Ann McCormick, Louise McCormick, Ben Dover, Bob Scott, Pascal White
Scene 2. Kinky, Ben Dover, Bob Scott, Pascal White
Scene 3. Georgette Neale, Ben Dover, Bob Scott, Pascal White
Scene 4. Terri Weymouth, Ben Dover, Bob Scott, Pascal White
Review:
Scene 1
We meet Jade, and after some posing and shots of her underwear, as she climbs a ladder, she informs Ben, Pascal and Bob that she has a surprise. She steps out of a doorway and we see Jamie, her IDENTICAL TWIN SISTER. They're okay looking but have nice bodies. Small tits, narrow waist and flaring hips with nice butts. We watch the two girls clad in tank tops and panties playing in a hot tub. Pascal can't take it anymore and walks to the edge of the tub, dick standing at attention. The sisters show good oral skills as they take turns blowing him. Ben and Bob get their dicks sucked a little then Bob and Pascal fuck these girls like there's no tomorrow. We watch them side by side getting fucked, mish, doggy, CG, etc. Then we see Jamie getting her ass busted mish. Ben tells Jade to lean over and get a closer look as Bob fucks her, Then, Pascal pulls hs dick from Jamie's ass and Jade sucks the slime before sticking it back in her sister's butt. Next, we see Bob fucking Jade's ass doggy, Jamie pulls his dick from her sister's butt twice, sucking it each time then sticking it back in her ass. Next, we see the girls in a 69 position. Jade is getting her butt fucked by Pascal and he pulls his dick outta her ass twice and sticks in Jamie's mouth. Finally, Bob and Pascal cum on Jamie's face. Ben cums in Jade's mouth, then she bends down and spits the cum in her sister's open and waiting mouth...
Scene 2
We meet a very pretty 18-year-old named Rebecca. She's roomies with a girl named Tracy that appeared in Horny Housewives Fantasies 3. Nice body with small, perky tits and a ass and legs that are a sight indeed, Anyway, she does a bullshit striptease and then after Ben and Pascal finger fuck her awhile, we see her on her knees sucking on Ben, Pascal's and Bob's dicks. We watch her bend over the arm of the sofa and Pascal drills her doggy as she sucks Bob. Then we see her lying on the arm, legs high and Bob fucking her so had, she's using her hands to brace herself on the wall behind her or he'll put her skull thru the wall. Then Pascal fucks her RCG, and Bob joins in, and they DPP her. All three guys unload on her face and tits. She sucks each of them some afterward.
Scene 3
We meet a decent-looking girl named Sasha. She has nice big tits, long sapely legs and a killer butt. We watch her lie back on a sofa and finger herself.Then she pulls down Ben's jeans and shows some pretty impressive oral skills, including deepthroat. Pascal enters the room naked and rock hard, He sinks to his knees and eats her bald pussy before climbing up on the sofa, straddling her face and fucking her mouth. She also licks his asshole. When Pascal fucks her doggy, Bob appears from nowhere and sticks his dick in her mouth. The two studs fuck this honey everyway inmaginable. They also DPP and DP her. She sucks Ben off as Pascal bangs her doggy and then he and Bob cum on her face.
Scene 4
We meet Terry, a plump girl with a great attitude. She has fake tits, a few rolls around the middle and a big, jiggly ass. She goes upstairs to change. She returns wearing a teddy, stockings and heels. She's also surprised to see all three guys standing below naked and ready to go. After she shows some so-so oral skill, the guys are all over this girl. After they take turns banging her doggy, RCG, CG and mish, Bob and Pascal DPP her. All three guys explode on her face and tits.
Very good movie. I'm not a fan of DPP's but there's enough raunchy shit in here for everybody.

Watchers, Full movie (2000)
Scene Breakdowns
Scene 1. Bridgette Kerkove, Chennin Blanc, Shelbee Myne, Cheyne Collins, Eric Masterson, Pat Myne
Scene 2. Katja Kean, Tavalia Griffin, Mr. Marcus
Scene 3. Julie Meadows, Dillon Day
Scene 4. Katja Kean, Shay Sweet
Scene 5. Sydnee Steele, Randy Spears