New York City Inferno - (1977)

69% (16 / 7)

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Description: AKA: From Paris To New York, Hotter Than Hell, Macho Men
Jerome, a Frenchman, arrives in New York from Paris with only one idea in mind: to find his lover Paul, 'swallowed' by the New York S&M gay life. Encounter after encounter, Jerome delves into the leather pit... and finds Paul.
Review:
This film epitomizes the “gay macho” period of the 1970s in the looks of the cast and their sexual activity. A Frenchman comes to New York and discovers sex in a warehouse, a bathhouse, and a leather bar in this subtitled film.
Structured around the week-long journey of Jerome (hairy and uncut Christopher Dock) in search of his lover, Paul, From Paris to New York shows all of the raw, gritty -- and occasionally bizarre -- sex that he encounters along the way.
Jerome begins his journey with a taxi driver, who takes him to a meat packing plant where they fuck while holding onto slabs of beef.
Next, Jerome cruises through the docks and in a waterfront warehouse, where he picks up a man and then follows him to his apartment for more action.
Later, in a bar, Jerome fondles a hairy guy's body and rubs a pool cue on his stomach.
Subsequently, in a toilet, Jerome jacks off the large dick of a burly black man in a stall. The black man fucks a youthful guy in the ass as Jerome fucks the face of another.
The scene then shifts to a bathhouse, where several men are shown dancing (mostly nude) to disco songs. They shower together and Jerome watches an orgy ensue, and then sucks cock in a room heavily covered with graffiti.
Finally, Jerome finds a leather bar where a wild party is taking place, featuring chaotic live music, a row of occupied glory holes, devil masks, bootlicking, and collared and leashed men. Jerome pours beer on one man; he then spots Paul across the room.
He takes Paul and Paul's master home and dominates them both in a rough threesome scene.
From Paris to New York is an emotionally and politically poignant film that sometimes feels like a love letter to New York City of the 1970s, lingering on plenty of scenic views of the city and one moment of documentary-like discussion of its gay scene. It features atmospheric cinematography and a cast of masculine men, and boasts an outstanding disco soundtrack.

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