It Happened in Hollywood, Full Uncut (1973)

77% (37 / 11)

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Description: Hardcore porn/comedy feature film which was made during that brief period in the late ’60s and early ’70s when feature-length pornography was sometimes shown in regular motion picture theaters. It follows on the success of Deep Throat. It has the dubious distinction of depicting more sex acts per minute than any such feature to date. The comic story which distinguishes the film revolves around a pornography Academy Award, and the shooting of the film which wins the award. This film features cameos by Screw magazine publisher Al Goldstein, and producer Jim Buckley. The movie should not to be confused with the 1937 feature comedy with the same name starring Richard Dix and Fay Wray.
Scene Breakdowns
Scene 1. Melissa Hall, Peter Bramley
Scene 2. Melissa Hall, Harry Reems
Scene 3. Melissa Hall, Marc Stevens
Scene 4. Melissa Hall, Cindy West, Jamie Gillis
Scene 5. Agnes Brev, Marc Stevens
Scene 6. Melissa Hall
Scene 7. Flo Zeasily
Scene 8. Flo Zeasily, Alan Spitz
Scene 9. Melissa Hall, Roger Caine, Guy Thomas
Scene 10. Tanya Tickler, Al Goldstein
Scene 11. Melissa Hall, faceless guy
Scene 12. Sheila Gree, Nan Klang
Scene 13. Melissa Hall, Richard Sternberger
Scene 14. faceless girl, faceless guy
Review:
Film starts out to be funny, then gets weird, and "Felicity Split" seems to be having trouble focusing her eyes; more like a zombie following directions. I felt sorry for the actress, clearly it seemed she was in a production that consumed her. Lots of of closeups of her rather pretty face, large Betty Boop eyes and defined cheekbones, but her catatonic reactions, silly smiling and staring were barely tolerable. After the first 15 minutes of fun and laughter the audience got quieter. Overall this film is a few notches above standard 16mm loops, in the same class of a similar film titled WET RAINBOW, with another obscure ingénue with one starring credit to her name. This is one of a handful of BETTER BUDGET ADULT FILMS that were very popular in the early 1970's. I noticed that hippie culture and hippie references were COMPLETELY absent from these films; in that sense they were mainstream even though there were huge centerfold ads for the premiere in Screw Magazine (a defunct New York underground newspaper). My opinion.

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