Ekstasen, Madchen und Millionen / Pleasure So Deep (1979)

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Description: AKA: Pleasure So Deep [USA], Pucelles en extase [France], Ekstasen Mädchen und Millionen, El avaricioso sexo de Lydia [Spain], L'ultima pornomoglie [Italy], Quella superporno di mia figlia [Italy]Zevk Öyle Derin ki [Turkey]
Scene Breakdowns
Scene 1. Karin Hofmann, Peter Kwapinski
Scene 2. Jane Iwanoff
Scene 3. Jane Iwanoff, Peter Kwapinski
Scene 4. Karin Hofmann
Scene 5. Barbara Moose, Richard Allan
Scene 6. Karin Hofmann, Mario Pollak
Scene 7. Dominique Saint Claire, Barbara Moose, Rolf Zigan
Scene 8. Karin Hofmann, Unknown Male, Unknown Male
Scene 9. Barbara Moose, Paola Pasetti
Scene 10. Paola Pasetti, Mario Pollak
Scene 11. Doris Wessoly, Guy Royer
Scene 12. Barbara Moose
Scene 13. Barbara Moose, Peter Kwapinski
Review:
Pleasure So Deep Description: "Shot in Italy, 'Pleasure So Deep' is a great example of Euro-porn from the Golden Era. The story centers on a mafia godfather who runs a counterfeiting operation out of the back of his funeral parlor. He's got a sex-crazed wife who can't seem to get enough and a daughter who spends her time in massage parlors delving into a little hooking on the side. The godfather sends his right-hand man to check up on his daughter (Lauren St. Germain), a little suspecting that the guy will actually fall for her. The plot thickens as Lauren finds out about the counterfeiting business and gets moved into a spacious villa on the Italian coast. The don sends his man along to keep an eye on her, which he's all too happy to do. Still, the daughter has no time for the guy until he proves his worth by saving her from a trio of roughnuts who are intent on getting what they want by force. She rewards the loyal lackey by treating him to some savory oral action, then joining him in a boat for a ravenous romp. The boat wends its way along the coast, exposing some great scenery as well as Lauren's more obvious charms. Outstanding settings and some otherwise unknown performers make this one a real treat.
We have here a pornographic motion picture made during the period in which they were still showing in cinemas - and consequently produced on a decent budget. The result is a bit lacklustre, though: shooting in different locations is commendable but one would appreciate a more considered effort in putting the results together.

The story revolves around a family that produces counterfeit money and sell coffins (!) as their cover business, complete with rebelling daughter and nymphomaniac stepmother. While the crime part is set up reasonably well, the romantic subplot involving the daughter is quite a mess.

The cast is a mix of French and German genre regulars. Male lead Peter Kwapinski has obviously been cast to put his pride and joy to good use, not for his acting abilities (which would suit him well for playing comatose patients). Barbara Moose gives her role a lot more oomph, but ultimately she is miscast - 'innocent girl' parts are pretty tricky to pull off for genre veterans like her. The best asset of the film is Karin Hofmann as the stepmother; she's given more opportunities to act than in her 1970s soft-porn flicks and grabs them all.

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