Um Pistoleiro Chamado Papaco / A Gunman Called Papako (1986)

86% (30 / 5)

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Description: AKA: A Gunman Called Papako, A Hitman Called Papako, Os Amores de um Pistoleiro
The adventures of a bisexual gunman named Papaco who wants to deliver a special delivery to anyone who pays for it.
Scene Breakdowns
Scene 1. Marcia Ferro, Abel Constancio, Custodio Gomes, guy, Messias Rubio
Scene 2. Agnaldo Costa, guy
Scene 3. Agnaldo Costa, Laurente Caragua
Scene 4. Angelica Belmont, Camila Gordon, Denise Clair, Priscila Presley, Fernando Benini
Scene 5. Nikita, Fernando Benini
Scene 6. Nikita, Chumbinho
Scene 7. Marcia Ferro, Fernando Benini
Review:
I really can't believe that I haven't cum across the underground Brazilian exploitation market sooner. It seems that our south-of-the-border brothers have been churning out some seriously insane sleaze for years now, and until recently, it's slipped under my radar. Having newly discovered this niche genre, I've gone on a bit of a binge and will be sure to look into these films more fully. I don't speak Portuguese, so I'm sure I'm losing some plot points in translation, but A GUNMAN CALLED PAPACO is another trashy bit of sexy fun that is reminiscent of the spaghetti westerns that it obviously is inspired by, and even has a healthy bit of a Jodorowsky feel to it.

Papaco is a kick-ass gunman on his way to deliver an important parcel of sex toys contained in a coffin that he drags from location to location. Along the way, Papaco runs into several unsavory characters (including a midget pistolieri played by Chumbinho, of FUK FUK A BRASILEIRA "fame"), and several savory females who both help and hinder him during his travails...

A GUNMAN CALLED PAPACO contains many elements that seem to be staples amongst 80s-era Brazilian hardcore/exploit films - namely graphic depictions of both gay and straight sex, some of which may turn off potential viewers. For brave and open-minded people, I think that Brazilian exploitation films will become to the newer generation of exploitation fans what the Italian films were to mine. Thoroughly fun, often depraved, and always tongue-in-cheek (or "cheeks," depending on what set you are talking about) - these zero-budget trash fests are a delight, even if I can't understand what the fuck they're talking about...8/10

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